the Battle of Five Armies Concept Art the Battle of Five Armies Painting
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So when I heard of the the impending release of the Art and Blueprint book for The Hobbit: The Battle
I am a massive fan of fantasy art. From the early days of my childhood I adored pouring over drawings, paintings, and sculptures of things ranging from dragons souring through the skies through to wizards standing toe to toe with invading armies. I literally worshipped artists like John Howe, Keith Parkinson, Michael Whelan and Frank Frazetta, and I consumed their work with fanaticism and passion.And then when I heard of the the impending release of the Art and Pattern book for The Hobbit: The Boxing of the Five Armies I was excited to say the to the lowest degree. And boy was I not disappointed. Composing of over 250 different pieces of art, sketches, costumes and concept designs, The Hobbit: The Battle of the Five Armies Fine art and Pattern book is an impressive addition to fantasy art literature. This book covers everything, from the initial sketches and artist discussion right though to the final design that made information technology to movie. Props, sets, creatures, armour and weapons are all covered in great particular, and conceptual artists like John Howe and Alan Lee provide expert commentary all throughout the book.
I adored pouring over each and every single page, taking in the cute artwork or gleaming an interesting fact from the information (such as how Thranduil'south armour was initially inspired by the intricate and beautiful armour of Japanese samurai) that accompanied it. I also enjoyed how the volume was divided into sections that focused on the different factions of Centre Earth, and I loved seeing the bad guys (orcs, goblins, Necromancer etc) become equal handling and focus. It was merely amazing to learn merely how much piece of work and background design goes into the production of a film like the The Hobbit: The Battle of the Five Armies, and after reading this I have a new constitute respect and admiration for all of those men and women backside its production.
I could read this tome over and over and even so discover new things every time. To put it only, this book is a must have for any fantasy art lover, Tolkien fan, or cosplayer. An absolutely stunning and visually brilliant book, and a must take for anyone with eyes and a soul!
five out of 5 stars.
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Note - A review re-create was provided.
...more thanToo, much of the text was plot summary, which was a waste of time and also tedious.
Bilbo got i folio. Ane. PAGE. Which is on-par with the moving-picture show, I approximate. BUT WOW. It didn't even show all his costumes???? And all the dwarves got like ten pages each????Also, much of the text was plot summary, which was a waste of fourth dimension and also wearisome.
...moreThis final chronicle of The Hobbit art books contains amazingly gorgeous concept art. Over half of information technology is digital fine art (I usually prefer pencil, ink, or charcoal drawn fine art) just this stuff is so good I tin can't complain.
And the pencil or ink drawn fine art in here is incredible. Mostly all done by the masters Alan Lee and John Howe, they are detailed and imaginative and beautiful.
Sometimes, though, the art that looked the best and near interesting was so tiny you couldn't see information technology very well. I know th
Wow.This concluding chronicle of The Hobbit fine art books contains amazingly gorgeous concept art. Over half of it is digital art (I unremarkably prefer pencil, ink, or charcoal drawn art) just this stuff is so skillful I can't mutter.
And the pencil or ink drawn art in hither is incredible. Mostly all done by the masters Alan Lee and John Howe, they are detailed and imaginative and beautiful.
Sometimes, though, the art that looked the best and most interesting was so tiny you couldn't see it very well. I know that they can't have a 700 page book to requite each slice a full page, more's the pity, but it was even so a bit disappointing.
I institute myself being torn while reading this volume though, because something would be mentioned and I was thanking whoever vetoed that idea, like Thorin and Azog battling beyond the face up of a frozen waterfall, while ice chunks brutal away. And so I would read that someone had drawn up a total color sketch of Azog holding Kili underwater while Thorin struggled desperately to accomplish him and bang my caput against the wall because WHY COULDN'T THAT HAVE BEEN IN THE MOVIE?!?
The concept fine art for Thorin's tomb in Erebor was great art design and so pretty. Why tin can't I recall seeing it in the pic?
The concept art for Thorin beingness slain more nigh to Dale looked much better than Thazog On Ice.
I wish they had kept in the nod to Gimli and Legolas' friendship by having that one line betwixt Gloin and Thranduil.
I really liked some of the other designs for Bolg that they were because far more than what they settled on.
So from this information technology would appear that Dain was entirely digital, which I totally called while watching the movie, because he looked all wrong.
"In Tolkien's books, Goblins are synonymous with Orcs." Really??
"The reference in the books to Azog having a huge, fe-clad caput." Oh, I guess you also decided to ignore the reference about Azog not being alive during the timeline of the Hobbit...
You lot can definitely see that Peter Jackson has a flair for the dramatic, considering all the things he wanted added in because it would wait bitching. Some of those were admittedly pretty cool, only some were just a wee bit over the height.
Oh, and I establish a typo!
"neighboring Erebor soldtheir toys and jewelry."
No infinite.
...moreMind-blowing how much pre-production work that goes into creating a picture world, fifty-fifty more astonishing is the volume of art sketches and artistic designs that are imagined, trialled, sampled, then discarded.
Beautiful in-depth illustrations and commentary
****
Metto four stelle anzichè 5 perchè not parla quasi per niente delle scene più drammatiche, ma solo della sala funebre.
Hundreds of visual works beautify all 250+ pages, along with commentary from conceptual artists (ex Alan Lee and John Howe), Weta designers, costume designers, and special effects. Subjects range from all sets in the movie
A compilation of the artwork, concept designs, models, and backside the scenes insight that led to the picture show "Hobbit: Battle of the Five Armies." I will warn that this book does contain some spoilers of the movie, then if you lot take not seen the movie, this book may ruin some surprises!Hundreds of visual works beautify all 250+ pages, along with commentary from conceptual artists (ex Alan Lee and John Howe), Weta designers, costume designers, and special effects. Subjects range from all sets in the motion picture, too as sets and designs that never made information technology to the terminal product. Scenery, costumes, weaponry, creatures, and props all a focus in this book. A must take companion for anyone with a dearest of Tolkien and the Hobbit movies, who has an involvement in movie-making, or just wants some tips for costume cosplay :).
...moreInformation technology was absurd to read about some of the ideas they had for the moving picture but decided to discard.
There was ane trouble with this book, there was to little about Bilbo and Tauriel. There were a few drawings of Bilbo but none of Tauriel, at least Bilbo got a whole folio!
Love it!
This led to Daniel besides beingness involved in writing re-create for Weta's licensed collectible products from The Lord of the Rings, a part that has continued aslope his design responsibilities in the years that accept followed.
Taking a leading role in Weta's publishing endeavours, Daniel has written and collated a number of books including The World of Kong and The Crafting of Narnia, showcasing the illustrative piece of work of the entire pattern section on King Kong and the two Chronicles of Narnia movies, and The Fine art of District 9: Weta Workshop. More than recently has returned to Middle-earth to work on The Hobbit.
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